{"id":14380,"date":"2020-12-16T13:03:51","date_gmt":"2020-12-16T18:03:51","guid":{"rendered":"http:\/\/www.atl.com\/?page_id=14380"},"modified":"2026-02-16T12:12:59","modified_gmt":"2026-02-16T17:12:59","slug":"airport-art-program","status":"publish","type":"page","link":"https:\/\/dev.atl.com\/atl\/about-atl\/airport-art-program\/","title":{"rendered":"Airport Art"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row full_width=&#8221;stretch_row&#8221; content_placement=&#8221;middle&#8221; css=&#8221;.vc_custom_1608141827358{background-image: url(https:\/\/dev.atl.com\/atl\/wp-content\/uploads\/2016\/01\/ATL.com-Header-AirportArt.jpg?id=1434) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column el_class=&#8221;box3&#8243; offset=&#8221;vc_hidden-xs&#8221;][vc_custom_heading text=&#8221;Airport Art&#8221; font_container=&#8221;tag:h1|font_size:50|text_align:left|color:%23ffffff&#8221; google_fonts=&#8221;font_family:Cabin%3Aregular%2Citalic%2C500%2C500italic%2C600%2C600italic%2C700%2C700italic|font_style:600%20bold%20regular%3A600%3Anormal&#8221; css=&#8221;.vc_custom_1467742956254{padding-bottom: 4% !important;}&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_single_image image=&#8221;14952&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;right&#8221;][vc_column_text css=&#8221;.vc_custom_1608053482021{margin-right: 50px !important;margin-bottom: 50px !important;margin-left: 50px !important;border-right-width: 50px !important;border-left-width: 50px !important;border-radius: 35px !important;}&#8221;]\n<p class=\"p1\"><span class=\"s1\">ATL Airport Art integrates art into the daily fabric of the Atlanta Airport for the benefit of passengers and employees. The Art program commissions site-specific artwork, produces and curates rotating exhibits, and manages performances and artist programming. With over 1,000 artworks in one of the largest public art sites in the Southeastern U.S., there is plenty to explore.<\/span><\/p>\n[\/vc_column_text][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"avt_masterslider_el \" >\n\t\t<!-- MasterSlider -->\n\t\t<div id=\"P_MS5fda641273974\" class=\"master-slider-parent msl ms-thumbs-template ms-parent-id-7\" style=\"max-width:1000px;\"  >\n\n\t\t\t\n\t\t\t<!-- MasterSlider Main -->\n\t\t\t<div id=\"MS5fda641273974\" class=\"master-slider ms-skin-default\" >\n\t\t\t\t \t\t\t\t \n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/dev.atl.com\/atl\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"Flight Paths by Steve Waldeck\" title=\"\" data-src=\"https:\/\/dev.atl.com\/atl\/wp-content\/uploads\/2017\/01\/al0079.jpg\" \/>\n\n\n\t<img decoding=\"async\" class=\"ms-thumb\" 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50px !important;margin-left: 50px !important;border-right-width: 50px !important;border-left-width: 50px !important;border-radius: 35px !important;}&#8221;]\n<h2>Artwork Spotlight<\/h2>\n<p class=\"p1\"><em><span class=\"s1\">Good Trouble: A Tribute to Congressman John Lewis<\/span><\/em><\/p>\n<p class=\"p1\"><span class=\"s1\">Designed by Gary Lee Super &amp; Associates<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Dedicated April, 2019<\/span><\/p>\n[\/vc_column_text][vc_empty_space][vc_column_text]\n\t\t<!-- MasterSlider -->\n\t\t<div id=\"P_MS5fda6460b59ed\" class=\"master-slider-parent msl ms-parent-id-16\" style=\"max-width:800px;\"  >\n\n\t\t\t\n\t\t\t<!-- MasterSlider Main -->\n\t\t\t<div id=\"MS5fda6460b59ed\" class=\"master-slider ms-skin-default\" >\n\t\t\t\t \t\t\t\t \n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/dev.atl.com\/atl\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"Congressman John Lewis standing in front of tribute wall\" title=\"\" data-src=\"https:\/\/dev.atl.com\/atl\/wp-content\/uploads\/2020\/04\/jm0002-scaled.jpg\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=&quot;ms-tab-context&quot;><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/dev.atl.com\/atl\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"Wide view of entire wall display paying tribute to Congressman John Lewis\" title=\"\" data-src=\"https:\/\/dev.atl.com\/atl\/wp-content\/uploads\/2020\/04\/jm0086-scaled.jpg\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=&quot;ms-tab-context&quot;><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" 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From left: Rachelle O&#039;NeilAlexi Torres, RIck Baker, Andre Dickens, John Lewis, Keisha Lance Bottoms, John Selden, Gary Super\" title=\"\" data-src=\"https:\/\/dev.atl.com\/atl\/wp-content\/uploads\/2020\/04\/jm0046-scaled.jpg\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=&quot;ms-tab-context&quot;><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/dev.atl.com\/atl\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"Barack Obama inauguration invitation envelope signed to Congressman John Lewis\" title=\"\" data-src=\"https:\/\/dev.atl.com\/atl\/wp-content\/uploads\/2020\/04\/jm0084-scaled.jpg\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=&quot;ms-tab-context&quot;><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/dev.atl.com\/atl\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"Airport employee looking at tribute wall\" title=\"\" data-src=\"https:\/\/dev.atl.com\/atl\/wp-content\/uploads\/2020\/04\/jm0102-scaled.jpg\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=&quot;ms-tab-context&quot;><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/dev.atl.com\/atl\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"Painting by Alexi Torres featuring icons and symbols selected by Congressman John Lewis\" title=\"\" data-src=\"https:\/\/dev.atl.com\/atl\/wp-content\/uploads\/2020\/04\/jm0093-scaled.jpg\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=&quot;ms-tab-context&quot;><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=&quot;ms-tab-context&quot;><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/dev.atl.com\/atl\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"Bronze plaques at the foot of &quot;John Lewis: Good Trouble,&quot; embossed with lyrics to civil rights songs.\" title=\"\" data-src=\"https:\/\/dev.atl.com\/atl\/wp-content\/uploads\/2020\/04\/jm0089-scaled.jpg\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=&quot;ms-tab-context&quot;><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t<!-- END MasterSlider Main -->\n\n\t\t\t \n\t\t<\/div>\n\t\t<!-- END MasterSlider -->\n\n\t\t<script>\n\t\t(function ( $ ) {\n\t\t\t\"use strict\";\n\n\t\t\t$(function () {\n\t\t\t\tvar masterslider_59ed = new MasterSlider();\n\n\t\t\t\t\/\/ slider controls\n\t\t\t\tmasterslider_59ed.control('arrows'     ,{ autohide:false, overVideo:true  });\n\t\t\t\t\/\/ slider setup\n\t\t\t\tmasterslider_59ed.setup(\"MS5fda6460b59ed\", {\n\t\t\t\t\t\twidth           : 800,\n\t\t\t\t\t\theight          : 480,\n\t\t\t\t\t\tminHeight       : 0,\n\t\t\t\t\t\tspace           : 0,\n\t\t\t\t\t\tstart           : 1,\n\t\t\t\t\t\tgrabCursor      : true,\n\t\t\t\t\t\tswipe           : true,\n\t\t\t\t\t\tmouse           : true,\n\t\t\t\t\t\tlayout          : \"boxed\",\n\t\t\t\t\t\twheel           : false,\n\t\t\t\t\t\tautoplay        : false,\n\t\t\t\t\t\tinstantStartLayers:false,\n\t\t\t\t\t\tloop            : false,\n\t\t\t\t\t\tshuffle         : false,\n\t\t\t\t\t\tpreload         : 0,\n\t\t\t\t\t\theightLimit     : true,\n\t\t\t\t\t\tautoHeight      : false,\n\t\t\t\t\t\tsmoothHeight    : true,\n\t\t\t\t\t\tendPause        : false,\n\t\t\t\t\t\toverPause       : true,\n\t\t\t\t\t\tfillMode        : \"fill\",\n\t\t\t\t\t\tcenterControls  : true,\n\t\t\t\t\t\tstartOnAppear   : false,\n\t\t\t\t\t\tlayersMode      : \"center\",\n\t\t\t\t\t\thideLayers      : false,\n\t\t\t\t\t\tfullscreenMargin: 0,\n\t\t\t\t\t\tspeed           : 20,\n\t\t\t\t\t\tdir             : \"h\",\n\t\t\t\t\t\tparallaxMode    : 'swipe',\n\t\t\t\t\t\tview            : \"basic\"\n\t\t\t\t});\n\n\t\t\t\t\n\t\t\t\twindow.masterslider_instances = window.masterslider_instances || [];\n\t\t\t\twindow.masterslider_instances.push( masterslider_59ed );\n\t\t\t });\n\n\t\t})(jQuery);\n\t\t<\/script>\n\n[\/vc_column_text][vc_empty_space][vc_column_text css=&#8221;.vc_custom_1608057359735{margin-right: 50px !important;margin-left: 50px !important;border-left-width: 50px !important;}&#8221;]\n<p class=\"p1\"><span class=\"s1\"><i>John Lewis: Good Trouble, <\/i>was dedicated in April 2019 to U.S. Congressman John Lewis, civil rights icon and American hero. The tribute project began in 2017, and Airport and City officials worked closely with John Lewis and his family to coordinate.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The installation is on the east side of the Domestic Terminal atrium and includes artifacts, videos and photos from the life of Lewis, a Freedom Rider who spoke at the 1963 March on Washington, was beaten by police during the 1965 march across the Edmund Pettus Bridge in Selma, Alabama, and served as Georgia congressman for over 30 years.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Among the artifacts displayed are a pen that President Lyndon B. Johnson used to sign the Civil Rights Act, then gave to Lewis; the Medal of Freedom awarded to Lewis by President Barack Obama; some of Lewis\u2019 beloved and quirky chicken statuettes; and a program from Obama\u2019s inauguration signed by the 44<\/span><span class=\"s2\"><sup>th<\/sup><\/span><span class=\"s1\"> president with the words: \u201cBecause of you John.\u201d<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">At the top of the Lewis tribute wall is a 22-foot-long painting by artist Alexi Torres showing images and icons from Lewis\u2019 life. The painting is bordered by riveted steel, which Gary Lee Super, who designed the tribute wall, said is a nod to the Edmund Pettus Bridge. The background music to Lewis\u2019 speeches and remarks, playing on several video monitors, is the Morehouse College Glee Club\u2019s rendition of \u201cWe Shall Overcome.\u201d<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The tribute wall has charred wood paneling in the style of a Japanese technique called <i>shosugiban<\/i>. \u201cThe process is to take wood, burn it til it\u2019s charred, and then use a wire brush to clear it off, and the result is a stronger piece of wood that\u2019s impervious to insects and more beautiful,\u201d says Super. \u201cI think that\u2019s a perfect metaphor for the civil rights movement.\u201d<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">John Lewis died on July 17, 2020. We are grateful for and humbled by his service.<\/span><\/p>\n[\/vc_column_text][vc_empty_space][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;.vc_custom_1599589875228{margin-left: 50px !important;border-left-width: 50px !important;padding-left: px !important;}&#8221;]\n<h2><span style=\"font-weight: 400;\">Collection Highlights and Recent Additions\u00a0<\/span><\/h2>\n[\/vc_column_text][vc_empty_space][vc_column_text]\n\t\t<!-- MasterSlider -->\n\t\t<div id=\"P_MS5fda65c037de1\" class=\"master-slider-parent msl ms-parent-id-20\" style=\"max-width:800px;\"  >\n\n\t\t\t\n\t\t\t<!-- MasterSlider Main -->\n\t\t\t<div id=\"MS5fda65c037de1\" class=\"master-slider ms-skin-default\" >\n\t\t\t\t \t\t\t\t \n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/dev.atl.com\/atl\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"Flight Paths, by Steve Waldeck\" 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Waldeck\" title=\"\" data-src=\"https:\/\/dev.atl.com\/atl\/wp-content\/uploads\/2020\/04\/al0086-scaled.jpg\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=&quot;ms-tab-context&quot;><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/dev.atl.com\/atl\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"Veneers, by Amy Landsberg\" title=\"\" data-src=\"https:\/\/dev.atl.com\/atl\/wp-content\/uploads\/2020\/04\/IMG_0216.jpg\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=&quot;ms-tab-context&quot;><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/dev.atl.com\/atl\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"Soul Ties that Matter, by Kevin 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alt=\"Goergia on my Mind, by Yuriko Yamaguchi\" title=\"\" data-src=\"https:\/\/dev.atl.com\/atl\/wp-content\/uploads\/2020\/04\/mb0011-scaled.jpg\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=&quot;ms-tab-context&quot;><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/dev.atl.com\/atl\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"Goergia on my Mind, by Yuriko Yamaguchi\" title=\"\" data-src=\"https:\/\/dev.atl.com\/atl\/wp-content\/uploads\/2020\/04\/mb0014-scaled.jpg\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=&quot;ms-tab-context&quot;><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" 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History, by Ayunini Media\" title=\"\" data-src=\"https:\/\/dev.atl.com\/atl\/wp-content\/uploads\/2020\/04\/mb0387-scaled.jpg\" \/>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=&quot;ms-tab-context&quot;><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t<!-- END MasterSlider Main -->\n\n\t\t\t \n\t\t<\/div>\n\t\t<!-- END MasterSlider -->\n\n\t\t<script>\n\t\t(function ( $ ) {\n\t\t\t\"use strict\";\n\n\t\t\t$(function () {\n\t\t\t\tvar masterslider_7de1 = new MasterSlider();\n\n\t\t\t\t\/\/ slider controls\n\t\t\t\tmasterslider_7de1.control('arrows'     ,{ autohide:false, overVideo:true  });\n\t\t\t\t\/\/ slider setup\n\t\t\t\tmasterslider_7de1.setup(\"MS5fda65c037de1\", {\n\t\t\t\t\t\twidth           : 800,\n\t\t\t\t\t\theight          : 480,\n\t\t\t\t\t\tminHeight       : 0,\n\t\t\t\t\t\tspace           : 0,\n\t\t\t\t\t\tstart           : 1,\n\t\t\t\t\t\tgrabCursor      : true,\n\t\t\t\t\t\tswipe           : true,\n\t\t\t\t\t\tmouse         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masterslider_7de1 );\n\t\t\t });\n\n\t\t})(jQuery);\n\t\t<\/script>\n\n[\/vc_column_text][vc_empty_space][vc_column_text css=&#8221;.vc_custom_1758569935954{margin-left: 50px !important;border-left-width: 50px !important;padding-left: px !important;}&#8221;]\n<h4 class=\"p1\"><span class=\"s1\">Pre-Security: <\/span><\/h4>\n<p class=\"p2\"><span class=\"s1\"><strong>John Lewis: Good Trouble<\/strong>, designed by Gary Lee Super, Domestic Atrium<\/span><\/p>\n<h4 class=\"p1\"><span class=\"s1\">Transportation Mall:<\/span><\/h4>\n<p class=\"p3\"><span class=\"s1\"><strong>Zimbabwe: A Tradition in Stone<\/strong> by Various artists, Transportation Mall between Concourse T and Concourse A<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\"><strong>Flight Paths<\/strong> by Steve Waldeck, Transportation Mall between Concourse A and Concourse B<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\"><strong>A Walk Through Atlanta History<\/strong> by Gary Moss, Transportation Mall between Concourse B and Concourse C<\/span><\/p>\n<p><em><strong>Prototype of work<\/strong><\/em> by RaMell Ross, <span class=\"s1\">Transportation Mall between Concourse C and Concourse D<\/span><\/p>\n<h4 class=\"p1\"><span class=\"s1\">Concourses:<\/span><\/h4>\n<p class=\"p3\"><span class=\"s1\"><strong>Georgia on My Mind<\/strong> by Yuriko Yamaguchi, Concourse T North Corridor<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\"><strong>Natural Wonder<\/strong> by Don Cooper, Concourse C Centerpoint<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\"><strong>Martin Luther King, Jr. Tribute Wall<\/strong>, Concourse E <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\"><strong>Saints<\/strong> by Radcliffe Bailey, Concourse E (above escalators)<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\"><strong>Veneers<\/strong> by Amy Landesberg, Concourse E and F Connector Corridor<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\"><strong>Mammatus<\/strong> by Christopher Moulder, International Terminal &#8211; Arrivals Level<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\"><strong>Soul Ties That Matter<\/strong> by Kevin Cole, Concourse F<\/span><\/p>\n[\/vc_column_text][vc_empty_space][vc_separator][vc_column_text css=&#8221;.vc_custom_1770057397804{margin-left: 50px !important;border-left-width: 50px !important;}&#8221; el_id=&#8221;041520201&#8243;]\n<h2>Rotating Exhibits<\/h2>\n<p><strong>Talking Across an Expanse, <\/strong>curated by Makeda Jean Lewis,\u00a0T South Display Cases<\/p>\n<p><strong>Transport, Transform, Transcend<\/strong>, a partnership with Georgia Tech curated by Birney Robert, T North Display Cases<\/p>\n<p><strong>APG &gt; Airport 2025, <\/strong>Atlanta Photography Group, Atrium Gallery<\/p>\n<p><strong>When I Look and You Look Back<\/strong>, Kendall Bessent, Peyton Fulford, Jose Ibarra, Talecia Tucker, Transportation Mall<\/p>\n<p><strong>Youth Art<\/strong> \u2013 Georgia Art Education Association, T Crossover; Boys and Girls Clubs of Metro Atlanta, Concourse D; Georgia Art Education Association, Concourse E<\/p>\n<p><strong>EarWax: A Legacy of Hip Hop in Atlanta<\/strong><b>,\u00a0<\/b>a partnership with Emory University, curated by Jasz Smith<\/p>\n<p><strong>When a Spark Touches a Molecule<\/strong>, Wihro Kim, Concourse E<\/p>\n<p><strong>Sites of Concern<\/strong>, Heather \u2018Bird\u2019 Harris, Concourse E<\/p>\n<p><strong>Life Support (QTS Data Center)<\/strong>, Heather \u2018Bird\u2019 Harris, Concourse E<\/p>\n<p><strong>Text Me When You Land<\/strong>, Catalina Cheng, Concourse E<\/p>\n<p><strong>always never<\/strong>, Eliza Bentz, Concourse E<\/p>\n<p><strong>Buyer Beware<\/strong>, U.S. Fish &amp; Wildlife Service, Concourse E[\/vc_column_text][vc_empty_space][vc_separator][vc_column_text css=&#8221;.vc_custom_1717519812261{margin-right: 50px !important;margin-left: 50px !important;border-left-width: 50px !important;}&#8221;]\n<h2>About ATL Airport Art<\/h2>\n<p><span data-contrast=\"auto\">The initiative to display artworks at ATL originated in 1979, when the Domestic Terminal was constructed during Maynard Jackson\u2019s first term as Mayor of Atlanta. In 1979-1980, the Airport commissioned and installed large-scale, permanent artworks by <strong>Curtis Patterson<\/strong>, <strong>David Hammons<\/strong>, <strong>Lynda Benglis<\/strong>, <strong>Benny Andrews<\/strong>, <strong>Sam Gilliam<\/strong> and others. The Airport received its first of two Governor\u2019s Awards for the Arts for this series of commissions, but an ongoing program was not instituted and the artworks were not maintained.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Approximately 25 years later, a series of new artworks were commissioned to welcome the world to Atlanta for the 1996 Centennial Olympic Games. These new artworks, which ranged in both style and size, were installed at the center point and at every gate on the newly built Concourse E. Thanks to the extraordinary success of these \u201cOlympic\u201d artworks, Airport General Manager Angela Gittens secured two full-time manager positions in the City of Atlanta Cultural Affairs Department to implement and maintain a permanent art program at ATL.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Following the 1996 Olympics, David Vogt and Lamar Renford developed a rotating exhibitions program, several annual music series, and oversaw the first large-scale installation in the Transportation Mall: a collection of 20 monumental stone sculptures by world-renowned Zimbabwean masters, installed in 2001. After Lamar Renford\u2019s retirement, Vogt would continue to lead Airport Art for more than two decades with Katherine Dirga as co-manager.\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Vogt and Dirga vastly expanded the scope of rotating exhibitions, commissioning major installations in the Transportation Mall and selecting a series of large artworks for the Maynard Holbrook Jackson International Terminal in 2012. New commissions were created by international and local artists; three Youth Art galleries were installed to feature artworks by children from across the state; and permanent tribute exhibits were installed to monumentalize Civil Rights icons Martin Luther King, Jr. and Congressman John Lewis, and to honor our country\u2019s military service members. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Since the program\u2019s inception, exhibition partners have included NASA, the Souls Grown Deep Foundation, the Jimmy Carter Presidential Library, the estate of Lois Mai-Lou Jones, Atlanta Film Festival, Booth Western Art Museum, National Park Service, and many more. In 2017, the Art Program unveiled <\/span><i><span data-contrast=\"auto\">Flight Paths<\/span><\/i><span data-contrast=\"auto\">, a 450-foot long immersive forest environment and the largest public artwork in Atlanta\u2019s history (as well as the Airport\u2019s most-Instagrammed). In 2018, <\/span><i><span data-contrast=\"auto\">Flight Paths<\/span><\/i><span data-contrast=\"auto\"> won a public art industry award from CODAworx and helped garner a second Governor\u2019s Award for the Arts for the program.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Benjamin Austin assumed senior leadership of ATL Airport Art in 2020, with Jess Bernhart joining as program manager. Together they maintain the program\u2019s legacy while introducing new works. Upcoming projects include an ongoing partnership with National Geographic to bring the world\u2019s best photographers to the world\u2019s busiest airport; an immersive installation in the Transportation Mall using lenticular printing; a brand-new history exhibit highlighting the story of commercial aviation; an artist-in-residence program where writers, choreographers, and visual artists will create artwork right out of the fabric of Hartsfield-Jackson; and a micro-cinema movie theater where passengers can enjoy free, short films by Georgia filmmakers and documentarians.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">2026 marks the 30th anniversary of the ATL Airport Art Program. If you are an artist, curator, or gallery and are interested in a tour of artworks at Hartsfield-Jackson Atlanta International Airport, please email us at <\/span><a href=\"mailto:ATLartprogram@atl.com\"><span data-contrast=\"none\">ATLartprogram@atl.com<\/span><\/a><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span>[\/vc_column_text][vc_empty_space][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1771261980326{margin-left: 50px !important;border-left-width: 50px !important;}&#8221;]\n<h2>Resources<\/h2>\n<p><a href=\"https:\/\/www.dropbox.com\/s\/f31u0oaaifzhr13\/Atrium%20Gallery_Info%20Packet.pdf?dl=0\">Atrium Gallery Info Packet<\/a><\/p>\n<p><a href=\"https:\/\/drive.google.com\/file\/d\/1-iWoaXgVPHxzIrxeOJ9E2SFWOPnu2Zoq\/view?usp=sharing\">Atrium Display Cases Info Packet<\/a><\/p>\n<p><a href=\"https:\/\/drive.google.com\/file\/d\/1K2sarQXvNVrZ6V0O0xynwRjUIkAh_b5n\/view?usp=drive_link\">Exhibit Proposals, Review Process + Milestones Info Packet<\/a><\/p>\n<p><a href=\"https:\/\/drive.google.com\/file\/d\/1YGsSqMSJglMG5ByuUuJySbQ4P8Uv8zFR\/view?usp=drive_link\">Rotating Exhibit Spaces Overview and Info Packet<\/a><\/p>\n<p><a href=\"https:\/\/cityofatlanta-my.sharepoint.com\/:b:\/g\/personal\/prreid34_atl_com\/IQDKRMzK6DIFS7tuEG5SeDhhAd0GhDODZE7t8BHilnXzX4s?e=34dfVZ\">Vendor Registration and Payment Process Info Packet<\/a><\/p>\n<p><a href=\"https:\/\/cityofatlanta-my.sharepoint.com\/:b:\/g\/personal\/prreid34_atl_com\/IQDKRMzK6DIFS7tuEG5SeDhhAd0GhDODZE7t8BHilnXzX4s?e=2VqcQH\">Vendor Enrollment FAQs<\/a>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]\n<h2>Opportunities<\/h2>\n<p>Please be advised that the Airport Art Program accepts proposals on an ongoing basis. Due to the high volume of inquiries, we kindly ask you to be patient and understand that not every submission will receive a response. Rest assured that you will hear back from us if we are interested in working with you. Thank you for your interest in our program![\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_column_text css=&#8221;.vc_custom_1750699692357{margin-right: 50px !important;margin-left: 50px !important;border-left-width: 50px !important;}&#8221;]\n<h2>Staff<\/h2>\n<p class=\"p1\"><span class=\"s1\"><strong>Benjamin Austin<\/strong> is a curator of contemporary art and senior manager of the ATL Airport Art Program. He holds master\u2019s degrees in curatorial studies from Bard College and in film and media studies from Emory University. Austin also holds a Bachelor of Fine Arts degree from Tufts University and the School of the Museum of Fine Arts in Boston.<\/span><\/p>\n<p class=\"p2\"><strong>Jess Bernhart<\/strong> is the program manager for ATL Airport Art, overseeing rotating exhibits and special projects. Before joining the Airport, Jess worked at the High Museum and WonderRoot. After hours, Bernhart edits an arts magazine, fLoromancy, and runs an artist residency and publishing project with her husband, called Volatile Parts. She holds a bachelor\u2019s in philosophy from Haverford College and a master\u2019s degree from the London School of Economics.<\/p>\n<p><strong>Pre Reid<\/strong> is a curator and program coordinator for the ATL Airport Art Program. Before working with the Airport, she worked at the High Museum of Art, The Council on Culture &amp; Arts, and The Wells\u2019 Built Museum of African American History &amp; Culture. Reid holds a bachelor\u2019s degree in Fine Arts with a minor in Graphic Design from Florida Agricultural and Mechanical University.<\/p>\n<p><strong>Lauren Kolodkin<\/strong> is an art historian and program coordinator for the ATL Airport Art Program. She received her MA in the History of Art &amp; Architecture from Boston University in 2016, specializing in 20th-century\u00a0American folk art and collecting practices. She worked at the Smithsonian Institution in Washington, DC for seven years prior to joining the ATL team.[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row full_width=&#8221;stretch_row&#8221; content_placement=&#8221;middle&#8221; css=&#8221;.vc_custom_1608141827358{background-image: url(https:\/\/dev.atl.com\/atl\/wp-content\/uploads\/2016\/01\/ATL.com-Header-AirportArt.jpg?id=1434) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column el_class=&#8221;box3&#8243; offset=&#8221;vc_hidden-xs&#8221;][vc_custom_heading text=&#8221;Airport Art&#8221; font_container=&#8221;tag:h1|font_size:50|text_align:left|color:%23ffffff&#8221; google_fonts=&#8221;font_family:Cabin%3Aregular%2Citalic%2C500%2C500italic%2C600%2C600italic%2C700%2C700italic|font_style:600%20bold%20regular%3A600%3Anormal&#8221; css=&#8221;.vc_custom_1467742956254{padding-bottom: 4% !important;}&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_single_image image=&#8221;14952&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;right&#8221;][vc_column_text css=&#8221;.vc_custom_1608053482021{margin-right: 50px !important;margin-bottom: 50px !important;margin-left: 50px !important;border-right-width: 50px !important;border-left-width: 50px !important;border-radius: 35px !important;}&#8221;] ATL Airport Art integrates art into the daily fabric of the Atlanta Airport for the benefit of passengers [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":735,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"BlankCanvas.php","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-14380","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/dev.atl.com\/atl\/wp-json\/wp\/v2\/pages\/14380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.atl.com\/atl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dev.atl.com\/atl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dev.atl.com\/atl\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.atl.com\/atl\/wp-json\/wp\/v2\/comments?post=14380"}],"version-history":[{"count":93,"href":"https:\/\/dev.atl.com\/atl\/wp-json\/wp\/v2\/pages\/14380\/revisions"}],"predecessor-version":[{"id":24438,"href":"https:\/\/dev.atl.com\/atl\/wp-json\/wp\/v2\/pages\/14380\/revisions\/24438"}],"up":[{"embeddable":true,"href":"https:\/\/dev.atl.com\/atl\/wp-json\/wp\/v2\/pages\/735"}],"wp:attachment":[{"href":"https:\/\/dev.atl.com\/atl\/wp-json\/wp\/v2\/media?parent=14380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}